Is covering classics alright? Three examples

Is it safe to cover a classic? Dangerous grounds, but if you can produce something like this, why not. Sometimes the cover offers a new perspective to it that wasn’t considered before. Rare, but it happens every now and then.Three examples.

1. Ain’t No Mountain High Enough

Original: A legend created by Marvin Gaye and Tammi Terrell. However, I always remember it by the Supremes + Temptations.

Cover: I know. I would have rolled my eyes too — what the heck can come close to this? Well, it can’t. But it offers something else. So what if it was publicized mainly because of a DHL commerical. Vula Melinga and Paul Epworth’s remake of this everyone’s-favorite does not detract a bit and is something I wouldn’t mind having in the same folder as Ms. Ross’s.

 

2. I Want To Hold Your Hand

Original: (You know.)

Cover: I’m going crazy, right? At least give T.V. Carpio from Across The Universe a try. Takes it in a whole different direction.

 

3. Bring Me Sunshine

Original: Morecambe and Wise. Their signature song during the end credits of their comedy show on the BBC in the 70s. 

Cover: Willie Nelson. Even if you have sway, plenty of street cred., and do it around the same time like our good ol’ Willie did, it still is a cover. It turned out to be one of his big hits reaching #13 on the U.S. Country charts. Brenda Lee’s cover was pretty darn good too.

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